Filipino alternative-pop band Gracenote The spotlight is all theirs as they gear up for their much-awaited solo concert, Walang Makakapigil, set to happen on September 6, 2025, at Teatrino, Promenade in Greenhills, San Juan City.

Brought to life by Soupstar Music together with Redlines Productions, EMI Records Philippines, and UMG Philippines, the show promises a night filled with the band’s biggest pop-rock anthems, rare favorites, and fresh new tracks—an unforgettable experience for fans, old and new.

Walang Makakapigil stands as a powerful testament to the band’s resilience, passion, and enduring presence. It’s an inspiring response to the challenges that they have faced and overcome throughout more than 15 years together.

“As individuals and as a band, we never let setbacks stop us. We picked up lessons along the way, and those experiences made us stronger. Until now, walang makakapigil sa amin.”

Rising indie act Hey June! will join as a special guest, bringing youthful energy to the show.

Zsa Zsa Padilla, the Divine Diva, is celebrating her 42nd year in the music industry with the release of a new album, 'Pag Tinadhana, set to drop this Friday (May 16). The veteran singer will also mark the milestone with her concert, Through The Years, on Saturday (May 17) at the Samsung Performing Arts Theater.

Reflecting on her long journey in the industry, Padilla couldn't help but feel nostalgic while performing at the Dolphy Theater, named after her late partner, comedy legend Dolphy. “It brings back so many memories. Performing here feels like he’s still watching over me,” she shared, her voice tinged with emotion.

Excited to perform tracks from her latest album, Padilla revealed that fans can expect familiar hits with fresh arrangements. “You will hear a lot of my hit songs. Para maging kakaiba siya, may mga rearrangements na mangyayari. I’m also introducing to my audience the new sound,” she shared.

Award-winning singer-songwriter Barbie Almalbis is set to release her fifth studio album, Not That Girl, on Friday, January 10, 2025. The album will be available on all major digital platforms worldwide.

Not That Girl offers a glimpse into Almalbis’ personal journey, tackling themes of healing, resilience, and self-discovery. The album draws inspiration from her experiences with mental and emotional health, using music to open conversations about overcoming challenges and addressing the stigma surrounding depression.

To celebrate the release, Almalbis will perform live on the same day at Sari-Sari Cocktails in Makati City. The intimate show will feature a mix of her greatest hits and tracks from the new album. Joining her onstage are notable local artists Kai del Rio, .bird, Twin Lobster, and Johnoy Danao, making the event a night to remember for music fans.

A few hours ago, Almalbis shared a vulnerable reflection on her experience with depression, emphasizing the importance of support and self-expression. In an Instagram post, she wrote: “But through it all, I was never really alone. I had the support of people who prayed for me, listened to me, loved me, and continually reminded me to remain in God. Their presence was a lifeline. In the midst of the pain, my friends encouraged me to write. And so, I did. The songs came so naturally, almost effortlessly. I was reminded of the days when I was a teenager, overwhelmed by emotions, and the only way I could process them was to pour them into my writing. It felt like I was reconnecting with something deep within me.”

Filipino music icon Ely Buendia is set to release his second solo album, Method Adaptor, on Friday, November 8, 2024. The album, under Offshore Music and Sony Music Entertainment, marks a significant moment in his solo career.

Method Adaptor stays true to the signature sound that has made Buendia a legend in OPM and Pinoy rock. The album dives into themes of memories, life experiences, and social issues, showcasing his growth as a storyteller. Known for crafting relatable narratives with heartfelt lyrics and intricate music, Buendia blends emotional depth with musical complexity. His latest work offers a rich listening experience, skillfully balancing simplicity and sophistication to captivate his audience.

As Ely explains it best, “I think all the songs have something to do with rebelling—be it from the disappointments and hardships of life or from the control that people want to have on your mind. I would say these are the most defiant songs I’ve written so far.”

Navigating through themes of sorrow, anger, joy, and triumph, the ten-track record shapes up to be one of the most captivating rock releases that came down the pike in recent memory. After being in the music business for more than 30 years, Ely admits that this album explores vulnerability that comes from a place of complicated humanity, revealing moments of fragility and darkness as he deals with the pressures of social expectations and career.

“Fame didn’t mix well with me,” Ely Buendia shares. “I just felt it got in the way of my trying to evolve as an artist and made me more guarded as a whole. Coming out for me means owning everything, both my failures and successes.”

Produced by Jerome Velasco and Audry Dionisio, with a little help from Erwin Romulo, Method Adaptor sounds consistently delightful from top to bottom, but with enough room to surprise or provoke.

"Kandarapa," the album's focus track and one of its highlights, is about fighting through the hard times not knowing if you can make it until the end. The music legend reveals that there are times when pressure in life can be a bit overwhelming, and all you want is to buckle and submit to the whim. “Sometimes you feel like you’re going to have to battle your way through the rest of your life.”

Other featured tracks in the album include previously releases “Tagpi-Tagping Piraso” and “Bulaklak Sa Buwan;” the somber piano ballad “Faithful Song,” the brooding, synth-pop tune “Kontrabando,” and the menacing stomper “Tamang Hinala”—to name a few.

Check out the Method Adaptor track list:
1. Faithful Song
2. Kandarapa
3. Bulaklak Sa Buwan
4. Tamang Hinala
5. Deadbeat Creeper
6. Sige
7. Tagpi-Tagping Piraso
8. Kontrabando
9. Chance Passenger
10. Esprit de Corpse

Ely Buendia’s Method Adaptor is out now on all digital music platforms worldwide via Offshore and Sony Music Entertainment.

The latest episode of the YouTube channel THE FIRST TAKE features the Filipino boy band SB19.

Episode 449 marks SB19's first appearance on THE FIRST TAKE. The five-member group gained international recognition as the first Southeast Asian artist nominated for Top Social Artist at the 2021 Billboard Music Awards.

SB19 will perform their hit song “GENTO,” known for its catchy phrase and unique dance moves on TikTok. The song conveys the message that small efforts lead to success, and this special version is available exclusively on THE FIRST TAKE.

“It was a true first take, so we were very nervous and overwhelmed, but it was fun and an amazing experience,” SB19 shares. “Above all, we are grateful for this opportunity and for being able to represent the Philippines by performing our song here. We are honored to showcase our music and culture to the world through THE FIRST TAKE.”

THE FIRST TAKE is a Japanese YouTube channel that invites top singers and artists from all over the world to perform a song recorded in one take. Videos on The First Take are filmed in a studio, with shots of the performing artist and a microphone, set to a background that is usually white.

SB19 on the other hand, is the first Southeast Asian group and the first Filipino to be invited in the influential music media outlet. After the initial announcement, HALA THE FIRST SB19 skyrocketed at No. 1, 2, and 35 of X’s trend list in the Philippines, Japan, and Worldwide, respectively.

Aside from this recognition, the Philippines' five-member boy group also recently bagged a nomination for Favorite Asian Act in the Nickelodeon Kids' Choice Awards.

SB19’s performance airs at 9 pm today, Manila time via THE FIRST TAKE’s YouTube channel. Watch it here.

About THE FIRST TAKE

THE FIRST TAKE is a YouTube channel that clearly captures the performance of musicians and singers performing in a single take. With the concept “capture the take. This moment. This sound. THE FIRST TAKE. It only happens once,” THE FIRST TAKE presents pure music in overwhelming quality with no exaggerated performance.

The channel started on 15 November 2019 and has now hit 9.69 million subscribers (as of 7 June 2024). Total views have exceeded 1.4 billion, and contents have been viewed from over 220 countries and regions around the world. Growing as a comprehensive music platform, new initiatives have been launched and become viral contents. THE FIRST TAKE INTERNATIONAL features international music stars such as Harry Styles, Avril Lavigne, V from BTS, Jason Chan and Jolin Tsai, having them to give their 1TAKE performance exclusively on the channel.

Follow THE FIRST TAKE on socials:

Website: https://www.thefirsttake.jp
Instagram: https://www.instagram.com/the_firsttake
Twitter: https://twitter.com/The_FirstTake
X: https://www.tiktok.com/@the_first_take
THE FIRST TIMES: https://www.thefirsttimes.jp

The girl group, BINI, has brushed off allegations that their hit song "Salamin, Salamin" promotes witchcraft. This controversy erupted after a religious content creator claimed to have evidence that the song was linked to dark practices. However, BINI members were quick to dismiss these claims, clarifying the true, endearing nature of the song.

BINI Colet couldn’t help but laugh when she saw the post, mentioning that the group often encounters amusing interpretations of their music. "Actually, nakita ko po yung post na yun, nakakatawa po, pero mas meron pa po nakakatawang post bukod dun. Natatawa na lang po kami kasi may nabubuo na po silang kwento sa mga kanta namin," she said. (Actually, I saw that post; it's funny, but there are even more funny posts besides that. We laugh about it because they are creating a story in our songs.)

Meanwhile, BINI Maloi confidently labeled the claims as "fake news" and reiterated that "Salamin, Salamin" is simply a good song. "Fake news po. Hindi po witchcraft ang ‘Salamin, Salamin.’ Maganda lang po ‘yung song,” she affirmed. (It’s just fake news. ‘Salamin, Salamin’ doesn’t promote witchcraft. The song is just nice.)

The misunderstanding likely stems from the song’s use of the phrase "mirror, mirror on the wall," reminiscent of the evil queen’s line from the Snow White fairy tale. The phrase might evoke images of magic and witchcraft, but the lyrics of "Salamin, Salamin" are far from sinister. Instead, they tell a tale of a girl’s longing for her crush to notice her, wrapped in the relatable context of youthful infatuation and hope.

The song's lyrics express a common teenage experience: the uncertainty and excitement of a crush. Lines like "Mahiwagang salamin kailan ba niya aaminin, Kaniyang tunay na pagtingin" (Magic mirror, when will he admit his true feelings) capture the mix of hope and anxiety familiar to anyone who has ever had a crush.

Darren Espanto, the singer who stole hearts as a young contestant on "The Voice Kids Philippines," is set to celebrate a major milestone in his career. On June 1, Espanto will take the stage at the Araneta Coliseum for his highly anticipated "D10" concert, marking ten years of remarkable achievements in the music and entertainment industry.

Darren's journey began in 2014 when he wowed audiences with his powerful voice and captivating stage presence on "The Voice Kids Philippines," finishing as a runner-up under the mentorship of Sarah Geronimo. Since then, Darren has grown into one of Asia's most beloved pop artists, known for his wide vocal range and emotive performances.

Filipino music superstar James Reid has once again captivated fans with his latest single, "Hurt Me Too," marking his debut project under Sony Music Entertainment. This emotional ballad delves deep into the theme of heartbreak, showcasing Reid's talent for combining raw emotion with compelling storytelling.

With a career spanning over a decade, James Reid has become a key figure in contemporary pop and R&B music in the Philippines. His chart-topping records, sold-out tours, and successful brand campaigns have made him a household name. But it’s his ability to balance commercial success with artistic integrity that truly sets him apart.

In "Hurt Me Too," Reid presents a stripped-down ballad that hits hard emotionally. The song, produced by Tim Marquez, finds Reid at his most vulnerable, reflecting on past heartbreak with a mix of fondness and pain. "I wrote the song three years ago together with Seth Reger, an artist from LA," Reid shares. "He really helped me tap into these emotions that I didn’t even know I was feeling at that moment."

Reid's exploration of heartbreak in "Hurt Me Too" marks a significant shift in his musical direction. Known for hits like "Cool Down," "Turning Up," and "16B," Reid's previous work has often leaned towards upbeat, feel-good tracks. However, this new single introduces a more introspective side of the artist.

"For this next album I’m working on, I wanted to focus on the core of who I am as a songwriter with minimal but intentional music production," Reid explains. "Hurt Me Too is like a palate cleanser for me in a way that it introduces a change in sound and direction."

The heartfelt tune is complemented by a music video directed by Elena Virata, a close friend of Reid's. "The concept was simple but powerful, focusing on unreleased emotions and frustrations," he adds. The video’s simplicity allows the song's emotional depth to shine through, creating a poignant visual experience for listeners.

James Reid's music has always resonated with fans due to its authenticity and relatability. His ability to connect with listeners on a personal level is evident in his extensive catalog, which includes popular tracks like "Right There," "On Top," and "The Life." These songs, much like "Hurt Me Too," showcase his knack for blending heartfelt lyrics with memorable melodies.

Reid's journey in the music industry began with his win on the reality show "Pinoy Big Brother: Teen Clash 2010." This victory catapulted him into the limelight, leading to a successful career in both music and acting. Over the years, Reid has continued to evolve as an artist, consistently pushing the boundaries of his craft.

Joining Sony Music Entertainment is a significant milestone for Reid, aligning him with other prominent Filipino artists such as SB19, Ben&Ben, and Clara Benin. This partnership is expected to further elevate Reid's career, providing him with new opportunities to reach a global audience.

Reflecting on his career, Reid expresses gratitude for the support he has received from fans and collaborators alike. "I’m grateful for the journey and the growth I’ve experienced over the years," he says. "Each song, each album is a part of my story, and I’m excited to share this new chapter with everyone."

As "Hurt Me Too" gains traction on digital music platforms worldwide, fans are eagerly anticipating Reid's upcoming album. This next phase promises to delve deeper into his personal experiences, offering listeners a more intimate glimpse into his life and emotions.

James Reid’s ability to convey profound emotions through his music is a testament to his talent as a singer and songwriter. "Hurt Me Too" is not just a song; it’s a reflection of his journey, his struggles, and his growth. It’s this authenticity that continues to endear him to fans, old and new.

Reid's work stands out for its enduring impact. His songs have the power to evoke memories, inspire reflection, and provide comfort. With "Hurt Me Too," James Reid reaffirms his place in the music industry, proving that true artistry lies in the ability to touch hearts and minds.

James Reid's "Hurt Me Too" is available now on all digital music platforms. As he continues to explore new themes and sounds, one thing remains certain: James Reid is an artist whose music will continue to resonate for years to come.

Yeng Constantino, a name resonates to everyone in the Philippine music scene, has embarked on yet another musical venture, captivating audiences with her latest single, "Babala." After 17 remarkable years in the industry, Constantino continues to evolve, staying true to her roots while fearlessly exploring new musical territories.

Sometimes it takes just the right blend of emotion, melody, and relatability to ignite a global phenomenon. Such is the case with Shaira's cover of "Selos," originally penned by Lenka as "Trouble is a Friend." Despite being a cover, Shaira's rendition has captured hearts and sparked a wildfire of attention, transcending borders and languages.

P-Pop sensation Josh Cullen and acclaimed rapper Al James have joined forces for their latest hit single, "Yoko Na," now available through Sony Music Entertainment.

The lyrics of "Yoko Na" delve into the unspoken sentiments amidst a relationship's decline. It recognizes the bittersweet reality that even the most promising love can falter, despite earnest efforts to salvage it.

The song embodies the essence of a summer anthem, featuring catchy rap verses from both artists, a memorable chorus, and a dynamic arrangement fusing contemporary hip-hop and R&B elements with emotive undertones.

Producer Brian Lotho, collaborating with Josh, skillfully captures the song's essence with unwavering determination. He enhances its authenticity by incorporating unique sound effects like shattering bottles and flipping tables, adding depth to the portrayal of irreparable heartbreak.

Don't miss out on "Yoko Na," a poignant musical journey through the complexities of love and loss, brought to life by two talented artists.

Filipino rapper Alex Bruce delves into themes of resilience, achievement, and empowerment with her latest single "SWOOSH," released through Sony Music Entertainment.

Timely for International Women’s Month, the energizing hip-hop track carries a weighty beat and a powerful message. Originally crafted for a campaign by NIKE, a global activewear brand, in collaboration with FIBA, where Bruce serves as an ambassador, the song champions the spirit of 'Just Do It!'

In Bruce's words, "SWOOSH" embodies the ethos of NIKE's iconic slogan, urging individuals to take action in all aspects of life. Beyond mere lyrics, the track stands as an anthem, celebrating determination, self-belief, and seizing opportunities.

The young rapper unveiled "SWOOSH" during a halftime performance at FIBA 2023, marking a significant moment in her career. Reflecting on the experience, Bruce reminisces about the thrill of showcasing her artistry to a global audience. She particularly highlights the camaraderie shared with her fellow performers, including the dynamic ATEAM dancers, whose vibrant energy enhanced the show's impact.

“Performing at the FIBA halftime show was ‘the’ experience,” the BLING artist fondly shares. “Not only was I thrilled to be showcasing my artistry on such a huge stage, but I was also super excited to be joined by the amazing talents of ATEAM—sixteen dancers whose energy and passion added extra flavor and dimension to the performance.”

“SWOOSH” was produced for her by GOODSON and SHAQUIRO. Alex also vouched for her frequent producers’ level of talent and range and credited their mutual respect as one of the grounding elements that made the success of the collaboration possible.

“Plus, I am friends with them, which makes the working environment more fun and conducive to ideas,” Alex Bruce shares.

“SWOOSH” is out now on all digital music platforms worldwide via Sony Music Entertainment.

In a dynamic collaboration, the accomplished actor-rapper, Elijah Canlas, and the chart-topping singer-songwriter, TONEEJAY, are set to grace the stage at SCRUBB: Live in Manila on February 10, 2024. The event is scheduled to take place at the 123 Block in Mandaluyong City, commencing at 6 p.m.

Elijah, recognized by his mononym, is an award-winning actor celebrated for his roles in critically acclaimed films and TV series, including the widely successful Senior High. Beyond his notable acting achievements, Elijah is venturing into the realm of music as a burgeoning hip-hop artist, with his latest track "kilala kita" gaining viral traction in recent times.

TONEEJAY is a fast-rising solo artist who used to be the lead singer of Munimuni, one of the most prominent folk-pop bands in the Philippines. His new single “711” has reached No. 1 on the Spotify Philippines Top 50 for several weeks and continues to gain viral traction from various streaming and social media platforms.

Both award-winning artists will be performing as guest acts to the Thai duo’s highly anticipated set, which will feature songs off the official soundtrack of 2gether: The Series, which stars global BL icons Vachirawit Chivaaree (Bright) and Metawin Opas-iamkajorn (Win).

Aside from the OST, Scrubb is set to entertain Filipino fans with new and old materials spanning six studio albums that they’ve produced throughout the course of their career. To date, Scrubb has graced several sold-out shows in Bangkok and key cities across Asia. The internationally renowned music act is composed of Thawatpon Wongboonsiri and Torpong Chantabubpha.

Tickets to SCRUBB: Live in Manila are now available for fans to purchase: bit.ly/scrubbmnl.

According to event organizer GNN (formerly known as Gabi Na Naman Productions), fans can buy tickets at Ticketmelon for the following tiers: SVIP tickets at PHP 5,200, VIP tickets at PHP 3,200, and Gen Admission tickets at PHP 1,800. Both SVIP and VIP packages have fan benefit inclusions with varying perks.

SCRUBB: Live in Manila is presented and produced by GNN, in partnership with KATINKO and 123 Block.

Angela Ken and Raven, two talented singer-songwriters, have joined forces to create a new song celebrating the happiness of feeling confident in a romantic relationship and desiring to build a future together with the person you cherish.

In a fittingly named song called "Pangako," two Filipino musicians express their sincere promises of dedication, resonating with a wide audience, from the young to the old, and everyone in between.

“It’s about being ready to love that special someone for a lifetime,” raven states. According to the rising bedroom pop artist, the song was created for two people in a committed relationship who share a strong bond, celebrating each other and supporting one another through life's challenges.

“I was inspired specifically by my Tito’s wedding when I wrote it,” he shares. “It’s my dream to make a song that goes well with an SDE video: a soundtrack that complements a couple’s montage, all while bringing the sugary feels in one go.”

The original version of “Pangako” was produced by raven with the assistance of his mentor, Rico Blanco. Acclaimed artists and producers Zild and Tim Marquez came into the picture for the duet version and added layers of newness and intricacy to the production. The result is a heartwarming ballad that brims with intricate harmonies and gorgeous instrumentation, painting a picture of romantic bliss, the youthful kind.

“it’s not the typical arrangement that you would normally hear in my songs,” Angela reflects. “And I guess that’s where the magic appears: the intricate details that the producers incorporate in the song and the way they preserved the inherent simplicity of what made it stand out, on a lyrical and emotional level. This collaboration is really for the books.”

Both raven and Angela Ken have gained significant attention at the height of the pandemic, sparking the curiosity of casual music fans with their brand of relatable songwriting and pop-infused melodies. Angela rose to prominence with 2021’s “Ako Naman Muna,” which racked up more than 40 million streams on Spotify alone, while raven’s steady rise in the music industry and incredible musical instincts captured the attention of Rico Blanco, which resulted in bagging a management deal with Balcony Entertainment and a record deal with Sony Music Entertainment.

raven and Angela Ken’s “Pangako” is out now on all digital music platforms worldwide via Sony Music Entertainment.

 

Filipino boy group SB19, known for their numerous accolades, has recently unveiled their newest single "GENTO," offering a tantalizing preview of what lies ahead in the highly anticipated "PAGTATAG!" era for the group.

“GENTO” places SB19’s bold talent and confidence into the spotlight, highlighting their strength and versatility as a group. The song offers a catchy word play, effortlessly weaving ganito (like this), ginto (gold), and gento, the Caviteño word for ganito.

It delivers a powerful message of their growth as a group, after years of refinement—just like gold.

For this single, SB19 draws inspiration from transformational change—how incremental and everyday acts lead to success and change. Often, it is the little, simplest acts that lead to triumphs. 

SB19 continues to set an example of hard work and perseverance as the group continues their path towards dominating the local, and global, music scene. Five years since their debut, SB19 continues to test—and break—limits with their unconventional sound and unbounded talent. 

 

Get ready to be hit with all the feels as singer-songwriter JC Regino collaborates with his dad’s two brothers, Vingo and Jimmy, to release a new single titled ‘Idolo.’ The heartfelt song is JC’s thanksgiving offering to his father’s fans who have shown their unwavering love and support for the April Boys throughout the years.

JC wrote the song six months after his father passed away but couldn’t seem to finish it. However, after his birthday last year, he was struck with inspiration and remembered the song. He then went on to complete it in September 2022. The process was tough, especially because his uncles, Ninong Vingo and Tito Jimmy, were in America and had already stopped singing. But JC managed to convince them to join him in creating the song, and they recorded their parts separately, which were then pieced together.

A year after launching the successful OPM collective “KAIBIGAN,” Filipino-American music director Troy Laureta continues to shine a light on Filipino music in his new album, “GILIW: A Troy Laureta OPM Collective Vol. 2,” featuring more world-renowned singers such as Grammy award-winning artists All-4-One and Deborah Cox and “American Idol” season 2 winner Ruben Studdard.

The 13-track “GILIW” album includes a “Magkasuyo Buong Gabi” duet by Deborah and Ruben and a reimagined version of “Laging Tapat” by American singer Skylar Stecker. Also part of the newly released collective is male R&B and pop group All-4-One for the song “Paano Ang Puso Ko.”

It is now part of our history, the Philippine Musical history, as singer and songwriter Moira Dela Torre made a clear mark as the very first OPM artist to receive 11 platinum certificates from her successful hit songs. 

The fame and existence of an artist is not just because of his or her works or artistry because of the people supporting the artist, these are the fans. Even the smallest artist in industry has its own fans that supports him or her all the way and because of them that artist does the best in every performance.

Heading the OPM Archive Foundation are the “next gen” members of the group, Moy Ortiz, President; Krina Cayabyab, Vice President; Dinah Remolacio, Treasurer and Chevy Salvador, Secretary, while the more senior members will stay on as board members and advisers.

The archive is a separate entity from Organisasyon ng Pilipinong Mang-aawit (OPM) in that it will serve as a foundation that collects and documents not just the actual original Filipino music, but also narratives, photographs, music sheets and press releases. Originally, the term “OPM” referred to the inclusive period from the 70s to 80s when a rich influx of new and modern sounds, melodies, lyrics, singers and musicians flooded the airwaves, and even the theater, with original dance musicals as “Rama Hari” and “Tales of the Manuvu”. Among the familiar and popular voices that emerged, aside from Celeste Legaspi’s were Basil Valdez, Hajji Alejandro, Sampaguita, Mike Hanopol, Florante, Freddie Aguilar, Leah Navarro, Didith Reyes, just to name a few.


The archive, however, for the purposes of music research and study for future generations, shall extend its borders to the precedents of this era, the 60’s, and extend to the present, and hopefully can be sustained into the future, for the identification and recognition of music development. The accompanying narratives will seek to contextualize the music in its specific social relevance that defined each period, and perhaps identify continuity to the next period.

Plans for the OPM Archive gave rise before the lockdown, when the Filipinas Heritage Library (FHL), where the archive was to be housed, was ready to receive the hard copy donations. With the lockdown, FHL head, Suzanne Yupangco and the archive group agreed to go digital. This does not, however, preclude the collecting of hard copies once the quarantine period is over. There is nothing like seeing the original “in the flesh”. While each hard copy donation will be digitized, the original copies will also be preserved through actual preventive conservation, knowing how digitization alone can be prone to obsolescence because of evolving digital formats.


Music plays a major role in peoples’ lives. It is something everyone cares about. And the archive hopes to ensure that the musical gems it documents and collects will live on from generation to generation, so children, grandchildren and even great grandchildren can appreciate, learn from, and perhaps someday, revise, improvise, follow or change approaches to music.

The archive is now open for digital collection, and is open to the public for donations. Just log on to opmarchive.com.

The launch of the OPM Archive is an initiative of founding members of OPM, led by its founder and first president, Celeste Legaspi, with Girlie Rodis, Tats Rejante Manahan, Lyca Benitez Brown, next generatiogeneration members, Moy Ortiz, Chevy Salvador, Dinah Remolacio and Krina Cayabyab.